Standing in front of the Atlanta Symphony Orchestra, the guest violinist took a breath, paused, then slowly, with a steady hand and a full, gorgeous tone, revealed the first notes of “Adoration” by Florence Price.
Later, her excitement practically jumped through the computer screen.
“Solo at SIXTEEN? With the ASO? Who would have thought?” she wrote on Instagram after the show.
This season, Bruce Kenney retires from the ASO after 40 years of service. He started with the orchestra in 1985 and has been an important member of the horn section since that time. He offered this reflection: “My journey as a musician began, honestly, I don’t know when. There’s an innate fascination, then some sort of noisemaker is put in your hands and you begin sorting out how to make differing sounds with it! Perhaps it’s not more complicated than that?
May, 2025
Choral music mavens have a lot to celebrate this coming year. A quick glance at Atlanta Symphony Orchestra’s 2025-2026 season announcement reveals that within a delightfully well-balanced cornucopia of musical offerings, audiences will be treated to a delectable sampling of choral masterpieces that span the late Baroque to the height of the Romantic era, including works by Bach, Beethoven, Schubert, and Mahler.
This year marks a significant milestone in the cultural fabric of Atlanta: the 80th anniversary of the Atlanta Symphony Orchestra (ASO). To commemorate this remarkable journey, a special exhibition is on display in the lobby of the Memorial Arts Building throughout the first part of March. The exhibition follows a timeline highlighting key milestones in the ASO’s history. The 80th is known as the “Oak” anniversary and this exhibition draws a parallel between the strength and longevity of the oak tree and the enduring legacy of the ASO, which has firmly rooted itself in the cultural landscape of Atlanta and beyond.
One of the Atlanta Symphony Orchestra’s most cherished events was revived in January with the return of the King Celebration, on January 4th at the historic Ebenezer Baptist Church.
Atlanta Symphony Orchestra music director Nathalie Stutzmann likens the orchestra’s next challenge to climbing a mountain, and not just any middling mountain. “For any orchestra in the world, a Beethoven cycle is a Himalaya,” she says. “I think it's incredibly exciting for us, but also for the audience, because it's rare to be able to hear the full symphony cycle plus the Triple Concerto plus the Missa solemnis.”
That’s the marching order for the ASO’s Beethoven Project, which starts Jan. 23 and runs through the fall, culminating, of course, with the Ninth.
As the holidays approach, the Atlanta Symphony Orchestra Chorus (ASOC) gathers to celebrate a cherished tradition: the annual Christmas concert. For many members, this concert is not just a performance; it's a yearly celebration of the chorus' rich legacy and impact within Atlanta's community.
This year marks the Atlanta Symphony’s 50th anniversary of broadcasting our classical series concert recordings on WABE, 90.1 FM. For over five decades, WABE has been instrumental in disseminating these recordings, providing a platform for the orchestra to showcase their talent to a broader audience who could listen from the comfort of their homes.
October, 2024
Elizabeth Koch Tiscione, Atlanta Symphony Orchestra's principal oboist is our featured soloist for Francaix's L'horloge de flore (The Flower Clock). Liz, who joined the orchestra at the age of 21 in 2007, is a part of the rich tapestry-woven artistry of the ASO.
September, 2024
Written by June Scott. Edited by John Scott and Sally Parsonson
Until his passing in June 2024, Michael Kenady held the distinction of being the longest-serving current musician in the Atlanta Symphony Orchestra. He played the double bass with the ASO for 59 years with all five Music Directors.
June 1, 2024
By Holly Hanchey
In March of this year, singer-songwriter Faye Webster released her new studio album, Underdressed at the Symphony. Webster is an Atlanta native who is currently on a world tour and was recently featured in a story in Rolling Stone magazine. The title track is about a romantic break-up, with the lyrics, "I'm underdressed at the symphony/Crying to songs/That you put me on."